I would love to fill up this chart ive made classifying ways to make art with some of the purpose or main expresive idea they represent. Feel free to recomend any work you think would fit in a category of your chosing!

are there any surrealist artists who have reached into their subconscious and then painted what they saw there

Or Someone tried to see how their imagination would change depending on the music they listened to.

I think we like to believe that art can exist completely separate from the person who created it. It makes things easier. We can love the song without thinking about the person who wrote it, admire the painting without wondering what kind of person stood behind it, and keep the beauty without carrying the uncomfortable parts with it.

But sometimes I don’t think we can separate them that easily. Art comes from somewhere. It comes from someone’s mind, their experiences, their beliefs, their pain, even their flaws. Knowing who created something doesn’t necessarily destroy what it means to us, but it can change the way we see it.

And maybe that’s the uncomfortable truth: we can appreciate something beautiful and still question the person who made it. We don’t have to pretend the artist was perfect just because their art was. At the same time, we shouldn’t let someone’s mistakes erase every feeling their work gave us.

Because art can outgrow its creator. A song can become part of someone’s life. A painting can mean something completely different to the person looking at it. A story can become yours in a way the artist never expected.

Maybe separating the art from the artist isn’t really about forgetting who created it. Maybe it’s about accepting that something can come from an imperfect person and still become something meaningful to someone else.

Hello!

I am looking for short articles and essays on art making / the creative process. I have a good list of long form books but would love to hear from some art teachers and profs on other types of literature used to teach and create creative discourse. Even substack articles are welcome!

I'm not an artist nor do i have the cultural capital to be a critic but this is a question that has puzzled me for a long time.

I'm not sure this is the right sub for this question, so feel free to direct me elsewhere if needed.

In the late 90's in Darwin, Northern Territory, Australia a public installation was commissioned by the government. It was to be placed at the northern end of the Stuart Hwy which crosses the country from north to south. The sculpture was to be a copy of the highway, a sort of twisting pipe about 3 to 4m high. It was never made.

The local newspaper published an artist's impression of the sculpture on the front page and for the next few weeks the letters to the editor and newspaper articles lambasted the design. Government cancelled the commission (artist still got paid). Now the "pig's dick" (as it was called by the NT News) is still the most commented public art piece in the Territory although it was never created.

Ever since I've thought about the episode and the nature of art.

I understand ephemeral art, but it at least exists for a moment in time.

As I understand art is meant to challenge and produce engagement, which this idea did in spades, but it never existed.

Does art need an object or can it just be an idea?

Was the "pig's dick" the greatest piece of public art in the Territory's history without ever having been made?

I’ve always wondered.

I hope these beautiful pieces of art make you feel something beautiful. 🙋🏼‍♀️🤍🫶🏼🪽

The first art prize judged entirely by ai. The Post-Meaning Prize: free entry, $1,000 USD. No human jury. Enter by 30 Nov 2026.

In art, framing is not only about enclosing an object. It changes the conditions under which something becomes visible.

I've been thinking about whether questions can operate similarly.

A question does not solely request an answer; it establishes a field of attention. It highlights certain relations, excludes others, and can make something previously unnoticed become perceptible.

In that sense, I think some questions are closer to artistic gestures than to information requests.

A question like:

"What would a city look like if designed around memory rather than movement?"

is not really asking for a factual answer. It creates a temporary perspective from which the world can be reimagined.

I'm interested in whether this analogy has any resonance in art theory: are there examples of artworks where the central "material" is not an object or image, but a question, instruction, or conceptual frame?

(I've been exploring this idea through 🟡Pollen , a social network built around conversations that begin with questions generated from the combination of people's interests.)

Artwork by Michael Cheval

After 5 years without creating any concept art, I'd like to share this new piece with you. I'd love to hear what you think. 💛

For those who are interested, here's part of the creation process. If you'd like to see more, just let me know and I'll share a much more detailed breakdown. This is all done with Photoshop and Blender.

What is this project?

This is a Personal project called Alhambra Inspired by Battlefield and Hell let Loose.
I have created some Keyframes of a new map that I imagined called Alhambra during WW2.
In an alternate history during World War II. The German army has taken Spain. The Alhambra has been waving red flags for months, but the Allied army wants to recover this strategic point with Operation O'Hara.

https://reddit.com/link/1vacpmv/video/e6ljjedoh9gh1/player

Behind Enemy Lines - Alhambra
This keyframe is my interpretation of Sector C of the map. I imagined one possible Battlefield gameplay scenario where players can parachute into distant sectors to recapture objectives while the enemy is focused elsewhere on the battlefield, creating new flanking opportunities and shifting the flow of combat. However, landing behind enemy lines is never guaranteed to be safe. As depicted in this concept art, players may find enemy soldiers waiting for them as soon as they touch down.