I just lost a guard member for the fall season. It’s still early, and we’ve only learned the first movement of the drill, but our band also just lost its director, who was our drill writer. Right now, it’s just our assistant director and me while the school hires a new director.
I’m struggling to rewrite a few sets of the opener with 5 guard members instead of 6. The member we’re losing was G6.
A little context for the drill:
- C1 and A1 are our drum majors. They trade off conducting and playing for each movement.
- At the beginning, the entire band except the guard is facing backfield. After the 8-count turn from set 9-10, A1 joins the band on the field.
- The entire band then marches forward for 8 counts from set 10-11, with the first big hit being the hold from set 11-12.
- Some of the guard were crossing each other in their choreography during that hold, but I might change that now.
- G1 cannot change for sets 1-6 because they have a solo.
- The rest of the guard are currently standing in place on props for the first 5 sets.
The sets I’m specifically struggling with are sets 6-9.
With 6 guard, the formations were very balanced, but I’m having trouble finding a solution for 5 that doesn’t create other problems. The main issues I’m running into are:
- G1 ends up blocking the drum major conducting in the back. We only have one podium, so the second drum major is on a ladder that isn’t very tall.
- Some solutions would require G1 to pass through the drumline and navigate around/over props.
- Whatever formation we use for set 9 needs to transition reasonably well into what is already written for set 13. At set 13, we can have 3 guard on side 1 instead of 4, since 2 of the guard members need to move the prop during sets 13-14.
I do not want to move any band members. Since we currently don’t have a director, I don’t have anyone I can easily confer with to approve changes to other sections, and I don’t want to put more on our assistant director while they’re already taking on several extra responsibilities during this transition.
I’m mainly looking for ideas on how you would approach changing the guard formations/movement from sets 6-9 while keeping the existing band drill and the transition into set 13 intact.
Any ideas or advice would be greatly appreciated! I’m open to completely rethinking those four sets if there’s a solution I’m not seeing.