https://youtube.com/shorts/WhAdFKU_GL8?is=qJ5CcMRs9hg9DO17

Sampling Fatima Yamaha - What’s a girl to do on Digitakt 2

I have a Digitakt and some smaller things. I am still trying myself out. I do what like to produce some mean Techno. But i also have ideas about other things were the op1 could be funny… anybody who has Experience with digitakt and 707? Or digitakt and op1?

Using a Roland t8 for a while now with a s1. I like it a lot. Only want to make dawless techno, only playing live jams. I found the t8 limited with drums and percussion. Really like the 303 bass though. Where to move next?

A sampler like the Model Samples or the p6?
Or the Model Cycles? Or just the tr6s or tr8s?

Also considering the Korg NTS4 mixer.

Please help me where to move next?

I’m trying to connect 6 devices via usb to the H12 MIDI pro.

USB Input 1 is pushing the signal out to all usb midi devices 2-5 in this case

This is causing ground loop hum through my devices

A couple of Elektron boxes with proprietary power supplies and a couple of TE devices with battery power. The other is a mixer .

Is this not a feasible thing? Do I need to make sure some are TRS to standard MIDI cables?

Today is the day! My first full-length album is out today on bandcamp. I recorded this in mostly single takes using primarily an 0-Coast and Strega, along with an SQ-1 and Edge.

I'm hosting a live listen-through and AMA tomorrow 9/2 at 8pm EDT live on Bancamp.

"Cycle Meditation Martyr and the Double Time Effect on Entropy" marks a period of fluidity and amorphous existence for me. While experimenting with a new collection of instruments, I was listening to a great deal of Sufi Qawwali music and kept returning to a definition of rhythm: “a moment in time, repeated.” The phrasing is significant to me because it leaves intentionality ambiguous. A moment in time, repeated—is the repetition incidental or intentional?

These tracks are well suited to soundbathing intense moments of focus and concentration. Rhythms loop and cycle, but I do not find repetition mundane. It can manifest in a grey area between repeat and ritual. A loop lasts until it is ended, carrying with it an inherent anticipation of when that ending might come, and how. Slightly adjacent to the loop is the cycle, which to me suggests not symmetrical repetition, but rounds that can evolve.

Hey everyone! Here’s a short 2-minute French Touch / French House dawless jam I put together.

​Roland MC-707: Handling all the heavy disco-house drum sequencing, sample chops, and master bus compression smashing it all together

​Arturia MiniFreak: Synthesizing the filtered bassline layer and some patches were sampled into the 707 played on a drum track for sample chips.

​Kept everything hardware-only with zero DAWs or software plugins. Would love feedback on the mix, should I build this into a full track?