Would love to hear your thoughts on this dark psychedelic rock / experimental album I made :)

Bandcamp link

I've been making experimental electronic music for some time for myself. I've gone through different styles, from rhythmic electronic music and noise to dark ambient, cassette experiments and signalwave. Recently I've been working on death industrial and power electronics, which will be probably the most violent and depressing music I've made so far.

I'm not really interested in becoming famous or making money from it. I mostly make this music because I enjoy doing it, but I've started wondering how small independent artists usually find labels that might be interested in this kind of music.

I'm a complete amateur and I make everything only with my computer, so I'm not expecting anything big. I'd just like to know if there are small independent labels that are open to working with artists like this, and how you normally approach them.

If you know any labels, scenes or websites where I could look for them, I'd really appreciate some recommendations. Spanish labels would be especially interesting for me, but I'm open to anywhere.

Thanks!

This is my bandcamp:

https://m3duxx.bandcamp.com/

Today is the day! My first full-length album is out today on bandcamp. I recorded this in mostly single takes using primarily an 0-Coast and Strega, along with an SQ-1 and Edge.

I'm hosting a live listen-through and AMA tomorrow 9/2 at 8pm EDT live on Bancamp.

"Cycle Meditation Martyr and the Double Time Effect on Entropy" marks a period of fluidity and amorphous existence for me. While experimenting with a new collection of instruments, I was listening to a great deal of Sufi Qawwali music and kept returning to a definition of rhythm: “a moment in time, repeated.” The phrasing is significant to me because it leaves intentionality ambiguous. A moment in time, repeated—is the repetition incidental or intentional?

These tracks are well suited to soundbathing intense moments of focus and concentration. Rhythms loop and cycle, but I do not find repetition mundane. It can manifest in a grey area between repeat and ritual. A loop lasts until it is ended, carrying with it an inherent anticipation of when that ending might come, and how. Slightly adjacent to the loop is the cycle, which to me suggests not symmetrical repetition, but rounds that can evolve.

https://www.soundclick.com/outraethonth/?content=songs

Trying to get some feedback and my music to the right listeners. Not interested in money.

Calling all small experimental label owners, I’m interested in developing some reciprocal relationships label to label to help boost each of our audiences. This might include reposting releases on our socials, shared event nights, organised listening sessions, write reviews/ share promo resources, offering download codes to each other to boost download numbers and leave comments on the new Bandcamp releases, or doing small batch physical distro trades.

You can see what my label is up to instagram, we’re London based and somewhat gravitating towards lower-case experimental music - ambient, drone, sound collage or acoustic chamber music - but I have a very wide interest in all types of experimental music.

Would anyone be interested in this?

https://www.instagram.com/burlhouserecords

And here’s our latest release that just came out today:

https://burlhouse.bandcamp.com/album/if-all-the-world-were-paper