Basically the title, but what would you recommend, applying through the agency’s website or finding an agent’s email and applying directly by email?
Some agencies have multiple agents, and I’m not sure who it’s best to apply to. I’m a bit confused and don’t know what the best approach is.

Frequently on set, I've heard background people say that the moment they joined SAG they stopped working as much. And I've been hesitant to join for that reason.

Does anyone have any real world experience with the transition from non-SAG to SAG to elucidate?

This is under the premise that one is doing predominantly background work.

Very curious. I live in the bay area but there’s basically none for short films except a few times a year. Like maybe 5 times a year lol.

After a lot of research, I've decided not to proceed with an agency that offered me representation. I sent them some questions about the contract and they basically yelled at me over email. I've heard they don't have a great agent-actor rapport. They wouldn't answer my questions about the contract unless I called them, so I shot them an email saying I would call them soon, but now that I've made this decision, I'm wondering if I should decline over call or email? Does it matter? I don't want to be rude.

Anyone else feel like some of these One Day Guest spots are essentially co-stars, but they just wanna get actors who won’t do co-stars to audition? 🤔

I’m an actor, it’s all I’ve done and I’m good at it. But now the only jobs around me are internet tiktok style commercials.

They have no direction at all, the scripts are AI generated, and they already have a video of someone else doing it from a video they stole so there’s no actual acting going on. They just want me to copy the video of some talentless prick who clearly doesn’t know how to act.

And now they won’t even hire me because they say my videos didn’t get a high click rate.

I want to act. Not drown with no money while I’m dripfed AI scripts and told my acting isn’t in the ‘tiktok style’ (shit)

There is litterally nothing else I want to do with my life but now I don’t want to even do this either

The past month I was excited and celebrating booking a small part in a SAG feature, first ever I would have ever done. Just got the email today that my role was cut. Never even went on the set. No clue whether to laugh or to cry or anything. Just feel incredibly defeated. What a horrible day.

I’ve booked my first acting class workshop and it’s pricey and I don’t think it’s manageable to repeatedly pay for more acting classes priced at $500 for 6 classes. The acting class that I’m going to is called LB acting studios. Is there any decently priced acting classes that you guys recommend?

Hi! I got interviews and a few offers from these agencies (commercial). My experience is mostly stage on the east coast and I know some consider these "lower tier agencies" which is totally okay with me since I'm just getting started with working in LA :) would love to know people's experience with any of these agencies!

Hey all, I've run into this before and always get kind of in my head about it, and I'm wondering how you all handle it.

I had to cut my hair and grow a mustache for a show I'm doing, and I have a couple of auditions coming up in the next two weeks. And when I say cut my hair, think going from full hobbit-hair to clean-cut office guy look. I have some shots with short hair, but they're 5+ years old at this point-- my shots with my longer hair are about 6 months old. In addition, I don't have facial hair in any of my shots.

How do you all handle this? Try to rush getting some new shots? Just explain in the room? I know it's maybe not the biggest of deals, but like I said above, I always get in my head about not looking like my headshot, and I'd prefer to not have it on my mind.

BTW the auditions are EPA appointments I've signed up for, so I don't have a direct line to the CD or producers to give them any kind of heads up.

Ran this by the mods first and they gave me the go-ahead to post.

I shoot corporate headshots for a living in Newport Beach and I'm building out an actor headshots side of my portfolio. So here's the trade: I shoot your actor headshots, completely free, fully retouched, and you keep every image from the session. In exchange, you let me use the images in my portfolio.

I'm here to help you, but I'll be straight with you: this obviously helps me too. That said, I mean it when I say I want to hand you something you're genuinely proud to submit. You're getting the same effort I'd put into a paying job, not a rushed freebie.

There's no cost by default. We can shoot at my home studio in Newport Beach or do an outdoor natural light session, whichever fits the look you're going for. If you'd rather use a professional studio space instead, that's available too: we'd split 2 hours for $80 total, $40 each, no hidden fees.

Open to men and women, any age or look. If a minor wants to participate, a parent needs to be there the whole time, no exceptions.

If you need updated headshots and a trade like this works for you, comment or DM me and we'll connect to find time.

Hello everyone,

I have been a living historian exploring the experiences of the British soldier during The First World War for quite a number of years and I have been lucky to have experienced quite a few opportunities including being an extra in a couple of films.

I have recently found myself being asked to take part in a number of events giving an audience an insight into the life of a British soldier during The First World War.

I have recently realised that although I have all the uniform and equipment and the knowledge to wear it and the training and proficiency in marching, being able to use and operate a rifle, bayonet training, trench routine and all the basic knowledge that a British soldier would have had, I do not have the character and the deeper knowledge such as Edwardian slang and that authenticity I feel to bring my character to life.

I have recently been involved in an event portraying the casualty evacuation system during The First World War which showed the British soldier going into action, being wounded and then going through the evacuation system. I have to admit that I felt that I was not portraying the character right and I was hoping to perhaps get some advice in regards to bringing a character to life that people can really associate with a follow as well as some advice in regards to giving an accurate portrayal of a British soldier.

The Battle of the Somme: Dressing station,

Just curious what others experiences have been!