sound on for asmr

Yeah, that, I'm planning to do freelance gigs for an extra buck or two, and my portfolio is a little bit dull and outdated, so, if you need a little help free of charge, let me know.

my portfolio: https://www.behance.net/gallery/225015285/Proyects

I’m still working out the pricing for a motion graphics service for Youtube explainers videos.

Client sends a completed edit. Explanations that are difficult to picture are identified, and motion graphics with sound effects are created for them. (A typical 20-minute video may have around 40–60 graphical moments.)

No brief or shot list is required, and the original edit remains untouched. Video is returned the next working day.

I’m currently charging US$349 for up to 20 minutes, plus US$150 per additional 10 minutes. Does that price seem too low, reasonable, or too high? Any advice whether to charge by video length or number of graphics?

Samples:
https://www.bitstaq.com/motion-graphics#samples

Fui desafiado a recriar um vídeo usando IA.

Tudo foi feito com código.

Só precisou de um storyboard e algumas instruções.

Não está perfeito, mas só vai melhorar.

O que você acha?

*edit: O objetivo aqui era mostrar que a IA está começando a se tornar interessante na criação de gráficos em movimento, e não que ela vai tomar o lugar dos criadores de Motion. Pode ser uma ferramenta auxiliar no processo. Ainda existem falhas claramente visíveis na animação.

Hey everyone!
I’m a techno artist/producer looking for a motion designer who would be interested in collaborating on some visuals for my music.
I’m currently working on developing a consistent visual identity for my releases and social media. I have my cover artwork/visual concept, but I’d like to turn it into something more alive — subtle 3D movement, camera movement, lighting, rotation, typography, particles, glitches, beat-synced elements, animation, etc.
The idea isn’t to simply animate a static cover. I’d like to create something that actually feels like a visual identity for the project and can eventually become a recognizable format for my Reels and future releases.
I’m especially interested in someone who uses After Effects / Cinema 4D / Blender / similar tools and enjoys experimenting creatively.
I’m also very open to your own ideas. I don’t want to dictate every single detail — I’d actually prefer to work with someone who looks at the artwork and says “what if we did this?”
I’ve attached one of my covers so you can get an idea of the aesthetic I’m working with.
I’m looking for someone who would be interested in building something together, potentially as an ongoing collaboration if we work well together.
If this sounds interesting, feel free to comment or DM me with some examples of your work.
Thanks!

I just finished up a 16-second spec commercial for Google Gemini focused on 3D UI and tactile physics, and I wanted to share a breakdown of the workflow and physics setup.

You can check the full details of the viewport and animation curves in my behance case study here: https://www.behance.net/gallery/255106317/Google-Gemini-Commercial-UI-Explorations

Hey everyone,

I wanted to share a short excerpt from a personal motion design project I made about Camille Claudel, the 19th-century French sculptor who spent the last 30 years of her life locked away in an asylum, her work largely erased from art history in favor of her mentor (and lover) Auguste Rodin.

The goal was to give her story the visual weight it deserves — using motion to translate the intensity, isolation, and raw talent that defined her life and work.

Full project on Behance: https://www.behance.net/gallery/254923783/Camille-Claudel-The-Sacrificed-Genius

Would love to hear your thoughts. Feedback (harsh or otherwise) very welcome!

Hey guys,
Here's my latest work. It was all done in AE, and would love to hear your thoughts and ideas on it.
Here's my insta page: https://www.instagram.com/tinypapier/

Loving this new Case Study on FrameRate.

NOODLZ started as a bunch of random daily sketchbook doodles and slowly turned into this huge personal exploration of composition, lighting, 3D and animation.

What I love most is how much of the messy stuff is included. Early sketches, 2D styleframes, 3d tests, iterations, and eventually the finished animations.

It’s a good reminder to stop consuming so much and just make weird stuff for fun again.

Really worth digging through:

https://framerate.tv/studies/EnPW3ilS